Showing posts with label Two Mistakes. Show all posts
Showing posts with label Two Mistakes. Show all posts

Friday, September 18, 2015

Ten Myths About Slavery, Part One

Ten Myths About Slavery

In order to write my award-winning epic poem, Two Mistakes (previously described here), I researched the topic of American slavery. Some things I learned during my research surprised me. I decided to compile the information here, as it came from a variety of sources.

The Ten Myths. (Discussion begins below.)

Myth #1. At the time of the establishment of the United States, slavery existed in the Southern states while the Northern states were free.
Myth #2. If a slave escaped from the Southern states to the Northern states, that slave was free.

Myth #3. Slaveowners who chose to, could grant their slaves their freedom.
Myth #4. Slaves were luxury items: few households in the South had slaves.
Myth #5. Many slaveowners treated their slaves as family.
Myth #6. Being a slave was no worse off than a peon during the Industrial Revolution.
Myth #7. Only blacks were slaves.
Myth #8. Pre-Civil War America was a stalemate between the slave states and the free states.
Myth #9. What the Dred Scott decision said.
Myth #10. Slavery is far behind us.

A Thumbnail View of the Context.

Slavery is a worldwide scourge with long historical roots. This essay addresses American chattel slavery, the institution that existed from the time of the formation of American colonies through the foundation of the United States and on up until the 13th Amendment in 1865. "Chattel" slavery refers to the legalized form wherein humans could be bought and sold the same as any legally transferable items.

After the discovery of the New World, several European nations aggressively acquired colonies and great empires were born. To exploit this land and its vast possibilities for wealth, lots of cheap labor was needed. This labor came to include native and African slaves, the latter being abducted and transported overseas to become property. This scheme was highly profitable. The European nations harvested the riches of their landholdings.

Even from early on, many recognized this arrangement as cruel. Much of the work, such as growing and harvesting sugarcane, was dangerous and performed on land infested with tropical diseases. The mortality was high, on average the workers survived only several years. Abolition societies were formed, but for decades their success was incremental.
  • In 1706, England banned slavery on its own soil.
  • In 1761, Portugal abolished slavery on its own soil and in some colonies.
  • In 1804, Haiti achieved independence and abolished slavery.
  • From the 1810s through 1830s, Latin America abolished slavery.
  • In 1834, The British Slavery Abolition Act abolished slavery throughout the British Empire.
  • In 1888, Brazil became the last country in the New World to abolish slavery.

Myth #1. At the time of the establishment of the United States, slavery existed in the Southern states while the Northern states were free.

Fact: Of the thirteen original states, all began with institutionalized slavery. Beginning in the 1780s most Northern states undertook a gradual process of emancipation of their slaves. Often these laws took the form of freeing the children of slaves at birth while allowing the others to remain as property. In the case of New Jersey, some of these older slaves continued to live up until the time of the Civil War.

The Seven Original Northern States.
  • 1780. Pennsylvania began gradual emancipation declaring children born of slaves will be free.
  • 1783. The Supreme Court of Massachusetts declared slavery unconstitutional, freeing all slaves.
  • 1783. New Hampshire began gradual emancipation.
  • 1784. Rhode Island and Connecticut began gradual emancipation.
  • 1799. New York began gradual emancipation and set complete emancipation for 1827.
  • 1804. New Jersey began gradual emancipation.
  • Delaware was the only state north of the Mason-Dixon line that never enacted immediate or gradual emancipation
The strategy of gradual emancipation did eventually eradicate slavery, but for most states not until after 1840. Vermont had freedom written into its constitution but did not become a state until 1791 and so was not included in the above list.

At the time of the Civil War, Kentucky, West Virginia, Missouri, Maryland and Delaware had legal slavery but did not join the confederacy. In spite of not seceding, Missouri's governor went Rambo and waged his own battle against the Union.

It should be noted that the number of slaves in the North were relatively small; even by 1790, 93% of the slaves were in the South.
  • Slavery Population from the 1790 Census
  • New Hampshire: 157
  • Rhode Island: 958
  • Connecticut: 2,648
  • New York: 21,193
  • New Jersey: 11,423
  • Pennsylvania: 3,707
  • Delaware: 8,887
  • Southern states and District of Columbia: 648,651
By the time of the Civil War, slavery was almost exclusively in the South.
  • Slave Population, 1860 Census
  • New Jersey: 18.
  • Delaware: 1,798.
  • All other states north of the Mason-Dixon line: 0.
  • Southern states and District of Columbia: 3,930,000
Source: Statistics of Slaves, U.S. Census Bureau

Myth #2. If a slave escaped from the Southern states to the Northern states, that slave was free.

If a slave escaped to the North, that slave was deemed a criminal, North and South. This was written into the Constitution as the "Fugitive Slave Law." It read:

No person held to service or labour in one state, under the laws thereof, escaping into another, shall, in consequence of any law or regulation therein, be discharged from such service or labour, but shall be delivered up on claim of the party to whom such service or labour may be due. (Note: the terms "slave" and "slavery" were not used in the Constitution.)


This Constitutional decree was written into several federal laws, most notably The Fugitive Slave Acts of 1793 and 1850. In the former, anyone who hindered the capture and repatriation of a slave could be fined $500. In the latter, Northern law enforcers were required to assist in the tracking and capturing of runaway slaves or else be fined or jailed. This extended to any citizen who could be deputized on the spot as a part of a posse (or if they refused, jailed). The word of slave-catchers was sufficient to legally identify the fugitive.

In part, because these laws were so severe, they were generally not followed in the North. The 1850 Act became a prime catalyst of the Civil War. However, whether because of geography and the difficulties of getting to the North, or whether due to the Fugitive Slave Acts and the ongoing fugitive status once the slave arrived, the North harbored few escaped slaves.

In the year 1850, one out of 3,165 slaves escaped their masters. In 1860, this number was down to 1 in 5000. Source.

The escaped slave, Frederick Douglass, became the foremost 19th century anti-slavery orator. In spite of having written and spoken about the horrors of his years of captivity, as his fame grew, he had to meet with his owner and arrange his own purchase to prevent capture and re-enslavement.

Coming up:

Myth #3. Slaveowners who chose to, could grant their slaves their freedom.
Myth #4. Slaves were luxury items: few households in the South had slaves.
Myth #5. Many slaveowners treated their slaves as family.
Myth #6. Being a slave was no worse off than a peon during the Industrial Revolution.
Myth #7. Only blacks were slaves.
Myth #8. Pre-Civil War America was a stalemate between the slave states and the free states.
Myth #9. What the Dred Scott decision said.
Myth #10. Slavery is far behind us.

Martin Hill Ortiz, also writing under the name, Martin Hill, is the author of A Predatory Mind. His latest mystery, Never Kill A Friend, is available from Ransom Note Press. His epic poem, Two Mistakes, recently won second place in the Margaret Reid/Tom Howard Poetry Competition. He can be contacted at mdhillortiz@gmail.com.

Thursday, April 16, 2015

Two Mistakes - the unused prologue.

No Apologias.

As described in yesterday's post, Two Mistakes is an epic narrative poem, an update of Shakespeare's A Comedy of Errors. It is metered, traditional verse, intended as the equivalent of a musical, albeit, without music. It won second place in the Tom Howard/Margaret Reid Poetry Competition.

Here is the press release
Here is the poem.

I wrote a prologue/apologia for this piece which I did not include as part of the finished work. In submitting metered verse, I have received rejection notices suggesting I should forgo rhyming. The editors state it is juvenile and have specifically recommended that I write non-rhyming verse, chiding me as though my choice were accidental or else that I could do nothing but rhyme.

So I wrote this prologue/apologia as an introduction. It has a different and less stringent rhyme structure while maintaining the same anapestic rhythm with four feet. It was intended to declare my intent for this work: "This Error of Comedies, freshened, domestic, / Is a poem for the age of the musical stage."

I dropped this. Never explain or apologize.

Prologue and Apologia

With their most sacred sneers all the cravenly brave
Seek to plunder the poet in corpus and name.
His bones have been tumbled so often you'd think
That by now they'd invest in a crank for his grave.

But a rose is a rose and a spade is a spade,
The first graces a tomb while the other exhumes.
Like a grave-robbing thief, I pass time with the ghouls.
I have learned all their rules, I know how this game's played.

So I spirit his carcass and spirit to Hades
With a psychopomp's purpose, or else merely pompous.
The bard disembodied, by God, is more bawdy.
He arrives at Elysium mashing the ladies,

Then, encountering Falstaff, they flag down a whore.
I snatch up his bones: dented anvil and humerus.
He abandoned a parchment, its stories displayed
In arrays of tattoos on the skin he once wore.

I start rolling his bones under threat of the snake eyes
Peeking out from their lair, a dark hole in the earth.
Raising toasts with a cider from Eden's lost garden,
I stare down the serpent with pinched half-awake eyes.

This Error of Comedies, freshened, domestic,
Is a poem for the age of the musical stage.
It keeps beat with four feet much like Rogers-Astaire -
If not as majestic, at least anapestic.

Mea culpa et culpa et maxima -gulp-
Must be something I et to inspire such regret.
With a fire in my belly and pasty eye jelly
I am powdering bones as I consecrate pulp.

Wednesday, April 15, 2015

Two Mistakes - The Tom Howard/Margaret Reid Award Winning Poem

 Two Mistakes: A Non-Musical Musical.

My epic, narrative (warning: very long) poem, Two Mistakes took second place prize in the Tom Howard/Margaret Reid Poetry Competition. I believe it is among my best works.


Here is the press release
Here is the poem.


The idea for this came to me after reading A Comedy of Errors. I couldn't help but feel Shakespeare missed the better themes inside the story.

In brief summary, Shakespeare wrote about a pair of identical twins separated when they were very young by a violent storm at sea. One set of twins were slaves, one set were masters. One master and one slave were rescued and returned home to their native city of Ephesus. The other child and his slave were rescued by a different boat and were seemingly forever lost. The lost twins, who grew up in a free state, were unaware of their siblings. They go on a mission that takes them to the Ephesus. Mistaken identities ensue.

Shakespeare was often ahead of his time regarding themes. On other occasions he was a product of his time. It seemed to me that the question of nature versus nurture was left unexplored and that the consequences of slavery is not dealt with. I transplanted the piece, beginning it in the 1820s in Louisville, Kentucky, a city at the border of North and South. A steamboat explosion along the Ohio river separate the pairs of twins. One child and slave are rescued and taken back to their home in Kentucky, a slave state. The corresponding pair are placed in an ash tub as part of their rescue. They wash down the river to where they arrive in Troy, Indiana. There, they are raised by an abolitionist family. Twenty years later, circumstance leads the twins who were raised by abolitionists to go to Louisville where they encounter those raised by slave owners.

Although my piece retains some of the farcical nature of the original, it also undertakes a serious exploration of the nature of slavery and how the institution destroys both slave and slaveholder.

The poem is presented in metered verse. I envisioned my piece as being the book to a "non-musical" musical.

Main Characters, abbreviated for the purpose of this excerpt:
Annie and Frances. Identical twin sisters born to the Sharper family, Louisville.
Anthony and Remmy Cobb. Identical twin slaves, purchased as a birthday gift for Annie and Frances. Remmy is renamed Moses after his adoption.
Demetrius Darling, An abolitionist living in Troy, Indiana who rescues and raises Remmy and Frances.

Selections from the story.

At one year of age, the two pairs of twin are separated from each other after a steamboat explosion.

   It would never have burst were it tough as Old Hans:
   If the boiler 'd been forged from the flesh of its stoker.
   A hulk of a giant with brawn cast from bronze,
   His two hands vast as shovels, his fingers like pokers.
   But the steam pipes were brittle, their knuckles corroded.
   With a blast of hot steam a bolt ripped from a seam.
   The pressure increased and then soon overloaded.

Remmy, the slave, and Frances, both one-year-old are set inside a tub used to collect ashes and launched down the river before the steamboat finally sinks. Amidst rain and hail, they drift down the river.

   Enduring a rite that was grimly baptismal
   The two in the tub got a rude sort of christening.
...
   The river, unwilling to choose between sides,
   Sent the ark ever westward, their fates undecided.
   To the river, it mattered not whether they died.
   It remained apathetic to lands it divided;

They are rescued by Demetrius Darling, a Quaker and abolitionist. They are raised to adulthood in a free land.

In the 1840s, Demetrius loses the deed of his farm to a swindler from Louisville. Of Demetrius:

   In a wreckage of shadows, alone and alone,
   His soul crumbled to dust and then sifted through floorboards.
...
   Now, he wept at the thought he would soon lose this place,
   Shedding tears for the land where he buried his wife.

Anthony and Frances journey to Louisville to settle their father's account. Anthony goes disguised as a slave; Frances is disguised as a man.

Meanwhile, at the Sharper family estate, Annie (the twin of Frances) has mixed feelings regarding her pending arranged marriage to a pompous aristocrat. While reading Thackeray:

   Without breaking her rhythm she switched from her book
   To her grievances, "Dare and the world always yields?
   I'm just property." Anthony shot her a look.
   "To daddy, I'm merely some crop from his fields.
   To be bartered for status.

Of course, her slave Anthony is more the prisoner. As he polishes the piano:

   Each key thumped as he rubbed in a smudge of bees' wax.
   He began at the bass end, the throatier notes.
   Tensions peaked then released as he scaled whites and blacks.
   Bitter tones were relieved by their sweet antidotes.
   There were candle snuff notes that could put out a flame.
   Some delivered a shiver without a deliverance.
   There were notes for emotions that no one could name.
...
   [the] Notes were steep steps on his way to the gallows.
   Once the last key was beat, his ascension complete,
   The piano lid dropped with a jolt swift and shallow.

The stage is set. When Moses and Frances arrive, mistaken identities create a storm of problems ending in a duel and a perilous flight to freedom.


The Unused Prologue to Two Mistakes

Louisville, 1846


A Predator's Game, now available, Rook's Page Publishing.

 -----------------------

Back page blurb.

Manhattan, 1896.

When the author Arthur Conan Doyle meets Nikola Tesla he finds a tall, thin genius with a photographic memory and a keen eye, and recognizes in the eccentric inventor the embodiment of his creation, Sherlock. Together, they team up to take on an "evil Holmes." Multi-murderer Dr. Henry H. Holmes has escaped execution and is unleashing a reign of terror upon the metropolis. Set in the late nineteenth century in a world of modern marvels, danger and invention, Conan Doyle and Tesla engage the madman in a deadly game of wits.