Showing posts with label Top 50. Show all posts
Showing posts with label Top 50. Show all posts

Tuesday, February 28, 2017

Gangster Crime Novels

"They call it business. OK. But it's personal as hell. You know where I learned that from? The Don. My old man. The Godfather. . . . That's what makes him great. The Great Don. He takes everything personal." Michael Corleone responding to the assertion "It was business, not personal" in The Godfather, by Mario Puzo.


Brighton Rock, the novel, is named after Brighton rock, the candy.


The gangster novel with its layered hierarchy of villains and antiheroes has been a staple of crime fiction since the early 20th century. Although earlier writers had dabbled with gangs in their novels and short stories, Little Caesar by W.R. Burnett is often said to be the first gangster novel. What makes it a gangster novel? The reader is set squarely inside the underworld: we see things from their perspective. Their immorality and allegiances define a code of conduct and create a skewed sort of reality.

Little Caesar

Maybe it was because the bigger-than-life Rico of Edward G. Robinson (at that time in his late thirties) lurked in my mind it took me a moment to adjust to the character in the book. Rico, in contrast, is a punk, a small time crook. He takes over a gang in twenties Chicago not because he is willing to use violence, it is not a conscious decision: violence is all that he understands. Other gangsters think before striking. Rico strikes. This results in a fast trajectory up and a quick end. In fact, the novel clocks in at a brisk 160 pages.


The final line, "Mother of God," he said, "is this the end of Rico?" is echoed in Walter Winchell's narration of the film. Little Caesar evokes a dingy and amoral world, dust-bowl dry and hand at the throat, V-8s roaring and tommy guns blazing. Adding to the immorality, Walter Winchell evokes J.J. Hunsecker (Sweet Smell of Success), jazz stings, and yellow journalism.

W.R. Burnett was a classic, learned-it-from-the-streets author. He went on to have a substantive career penning High Sierra and The Asphalt Jungle along with many great film scripts: The Great Escape, Scarface, This Gun for Hire, and Night People.

Author: William Riley Burnett  (aka W.R. Burnett)
Novel: Little Caesar
Publication: 1929
Rank: #75 on the MWA list.
Word Count: (160 pages) approx.: 46,000
Age of author at time of publication: 29.
Previous novels published by this author: none.
Opening line: Sam Vettori sat staring into Halsted Street.
Significance: Said to be the first gangster novel. We are immersed in the world of hoodlums. The dialogue has a gritty authenticity and lyricism.

Brighton Rock

The British author, Graham Greene, had the ability to imbue the ordinary, even the tawdry, with grandeur. A cross between Le Carré and Joseph Conrad, at his best Greene created unforgettable characters and stories, the latter including The Third Man, Our Man in Havana, The Quiet American, and Brighton Rock.

In Brighton Rock we are introduced to Pinkie, a seventeen-year-old gangster who, like Rico, is a punk who wields violence to take charge of a gang. It is hard to reduce Pinkie's actions to a simple explanation. He seems without principles and yet he is informed by his Catholic conscience. Greene, who was Catholic, falls into a trap that Hitchcock once described in regards to his film I, Confess. In that film, the priest hears the confession of a murderer and will not reveal it because of the constraints of the sacrament of confession. The priest stays silent even when he, himself becomes a suspect. The reasoning of Catholicism is often foreign to others and in Brighton Rock, Pinkie has no problems with killing others but will marry to hush up a witness.

In spite of this, the overall verdict: the complexity of the characters, the beautiful descriptions of a grimy setting and grimy lives make this book a classic.

Author: Henry Graham Greene (aka Graham Greene)
Novel: Brighton Rock
Publication: 1938
Rank: #46 on the CWA list, #69 on the MWA list.
Word Count: 89305
Age of author at time of publication: 33.
Previous novels published by this author: six.
Opening line: Hale knew, before he had been in Brighton three hours, that they meant to murder him.
Significance: A perfect blend of literature and suspense.

The Godfather

Reading The Godfather at times felt like reading the novelization of a movie. So many phrases have entered our culture, our very vocabulary, that I half-expected to turn the page and read about Michael Corleone clicking his ruby slippers and saying, "There's no place like home."


Like The Wizard of Oz, like The Simpsons, The Godfather permeates our culture.

But there is more to the novel than memorable dialogue. The book feels at times like a series of interconnecting novellas, this part following the trajectory of Michael Corleone's life as he not-very-reluctantly becomes a Mafia don; another part following the singing career of Johnny Fontane, who had only a minor role in the film. In fact, one of the major delights of the book comes from filling out the stories of those who were given cameos.

The Godfather shows the influence of its time. It has that sensationalist feel of The Valley of the Dolls. It has that broad story feel of a 1960's Cinemascope film. And of course, it has that sweet violin score of the Francis Ford Coppola's pair of early 70's epics.

Overall verdict: not great literature, but great Americana.


Oh, you liquidated her, eh? Very resourceful!

Author: Mario Puzo
Novel: The Godfather
Publication: 1969
Rank: #15 on the MWA list.
Word Count: 165245
Age of author at time of publication: 48.
Previous novels published by this author: five.
Opening line: Amerigo Bonasera sat in New York Criminal Court Number 3 and waited for justice; vengeance on the men who had so cruelly hurt his daughter, who had tried to dishonor her.
Significance: You think another gangster novel had this kind of juice? Fugged-about-it. Became the most influential film of all time: instead of "Return of" and "Revenge of," it taught sequels to use numbers.

--------------

 Martin Hill Ortiz is the author of Never Kill A Friend, Ransom Note Press.




Never Kill A Friend, Ransom Note Press

Never Kill A Friend is available for purchase in hard cover format and as an ebook.
The story follows Shelley Krieg, an African-American detective for the Washington DC Metro PD as she tries to undo a wrong which sent an innocent teenager to prison.

Hard cover: Amazon US
Kindle: Amazon US
Hard cover: Amazon UK
Kindle: Amazon UK
Barnes and Noble 

Monday, January 16, 2017

From Russia With Books

After an iconic image of Michael Caine in The Ipcress File.
"I never intended my leading character, James Bond, to be a hero. I intended him to be a sort of blunt instrument wielded by a government department who would get into bizarre and fantastic situations and more or less shoot his way out of them, or get out of them one way or another. ... On the whole I think he's a rather unattractive man . . ." Ian Fleming in Conversation with Raymond Chandler, 1958. Transcript in Five Dials Magazine, Issue 7.

So far in my series looking at the top mystery novels, I've been moving my way through the top five on the Crime Writers Association (CWA) and Mystery Writers of America (MWA) lists and looking at related novels.

CWA

1. Josephine Tey: The Daughter of Time
2. Raymond Chandler: The Big Sleep [in Chandler versus Hammett]
3. John le Carré: The Spy Who Came in from the Cold [below]
4. Dorothy L. Sayers: Gaudy Night
5. Agatha Christie: The Murder of Roger Ackroyd

MWA

1. Arthur Conan Doyle: The Complete Sherlock Holmes
2. Dashiell Hammett: The Maltese Falcon [or should I say Hammett versus Chandler]
3. Edgar Allan Poe: Tales of Mystery & Imagination
4. Josephine Tey: The Daughter of Time
5. Scott Turow: Presumed Innocent [and legal mysteries in general].

In this post, I will look at CWA #3, The Spy Who Came in from the Cold, and other Cold War mysteries.

The Turkish book cover for From Russia, With Love

By the time of the 1950s, Eric Ambler and Graham Greene helped set the tone of the mature spy novel, but it was up to Ian Fleming to mix in the Cold War and mine the genre for pulpy fun. His fifth James Bond book, From Russia, With Love, sits at #35 on the CWA list and #78 on the MWA list.

At the time of its writing Ian Fleming expected it to be his last Bond novel and 007 appears to die in the end. "I am getting fed up with Bond and it has been very difficult to make him go through his tawdry tricks" [Wikipedia, citing Matthew Parker's Goldeneye]. But every Reichenbach Falls has a trampoline at the bottom and the next year Fleming started on Dr. No.

How well does the book hold up? For me, not very well. It is pleasant to see Bond not as a superhero, but as a vulnerable man who is fooled by the plot against him. And Bond doesn't even appear until one-third of the way through the book.

Author: Ian Fleming
Novel: From Russia, With Love
Published: 1957
Rank: #35 on the CWA list; #78 on the MWA list.
Word Count: 71687
Age of author at time of publication: 48
Previous novels published by this author: 4
Opening  line:  The naked man who lay splayed out on his face beside the swimming pool might have been dead.
Significance: On a list of the top ten favorite books of John F. Kennedy. Generally agreed to be the best of the Bond series. Gadget-free entry to a series with a thousand gadgets.

Len Deighton in The IPCRESS File took on the spy world and made it in to a wince-inducing bureaucracy. He added in a tinge of black comedy and real world fears (nuclear testing) and sensationalism (brainwashing and kidnapped scientists). Published in 1962, it presaged le Carré's wildly successful, The Spy Who Came in from the Cold. Both authors went on to productive spy-writing careers.

Author: Len Deighton
Novel: The IPCRESS File
Publication: 1962
Rank: #9 on the CWA list; #43 on the MWA list.
Word Count: 79889
Age of author at time of publication: 33.
Previous novels published by this author: none.
Opening line: They came through on the hot-line about half past two in the afternoon.
Significance: One year before The Spy Who Came In From The Cold, The IPCRESS File set a tone for a new type of spy novel: one of bureaucracies and heroes who stumble along.
Most recent novel: Charity, 1996.

The Spy Who Came in from the Cold was a phenomenon as much as a novel. A great novel: talent. A phenomenon: timing. The Spy... certainly wasn't the first literary spy novel (The Secret Agent by Joseph Conrad). Instead it made its mark by tapping into the dissonance of international politics where peace was war.

By the time 1963 rolled around, a goodly number of people were questioning the Cold War. Linus Pauling won the 1962 Nobel Prize for his efforts to ban atmospheric nuclear testing. In 1963, the USSR and the US signed a treaty to do just that. The Missile Crisis of October, 1962 raised fears of a civilization-ending nuclear exchange. In 1963, Kubrick filmed Dr. Strangelove with a screening date set for November 22, 1963 (delayed due to a Steven King novel).

In this atmosphere, le Carré released, The Spy Who Came in from the Cold, a work that declared both the Russians and the Western world were morally compromised. The novel worked as suspense, as a world critique, and as literature. It achieved the "total effect" which Poe talked about, we might as well have been invited to the house of Usher. A gloomy chill surrounded the Cold War. Middle-aged men who clung to remnants of patriotism made the decisions and humanity was the collateral damage. Le Carré's thriller spent 34 weeks in the number one position on the New York Times fiction bestseller list.

My favorite sort of suspense comes about when, due to well-established constraints, protagonists are forced to escape with an excruciating slowness. Rick and Ilsa and Laszlo waiting for the plane to take off; Cary Grant, Ingrid Bergman, and Claude Rains passing through a nest of Nazis where even a word of suspicion will bring their doom. At both the beginning and end of The Spy Who Came in from the Cold, characters must make a slow transit across the East Berlin / West Berlin No Man's Zone, while fingers rested on the triggers of the rifles aimed at their backs. I'm envious. I hope someday to construct something so breathtakingly thrilling.

Le Carré has continued his spy-writing into his mid-eighties.

Author: John le Carré  (pen name of David John Moore Cornwell)
Novel: The Spy Who Came In From The Cold.
Publication: 1963
Rank: #3 on the CWA list; #6 on the MWA list.
Word Count: 63790
Age of author at time of publication: 31.
Previous novels published by this author: two.
Opening line: The American handed Leamas another cup of coffee and said, "Why don't you go back and sleep?"
Significance: A monumental shift in the tone of the spy novel. The game was morally ambiguous and spies were broken people. Essential reading.
Most recent novel: A Delicate Truth, 2013.

Gorky Park. Am I Martin Cruz Smith's doppelgänger? The evidence: I am Martin Hill Ortiz, same first name, Hill corresponds with Smith as a common family name, as does Ortiz with Cruz as Latino names. He writes ambitious well-crafted thrillers. I have ambition and some sort of craftsmanship and shouldn't his doppelgänger be a ne'er-do-well? 

In the 1970s Martin Cruz Smith wrote Westerns (I have one), gypsy novels, espionage thrillers starring the Pope's own spy, and more. He had written 17 novels in the ten years before Gorky Park got published. And wow. It's a great book. It vividly recreates a human Moscow. It provides with characters who are flawed but strong, weather-worn, beaten down by life but full of life. The central conceit of someone trying to undermine the Russian sable trade makes for a great McGuffin.

In high school while playing the Russian in a reading of You Can't Take It With You, I was surprised to discover that I could do a great Boris Badanov impersonation. Bad Cold War novels make all of their Russian protagonists sound like high school actors: they are all growling bears. The above novels do much better at creating real personalities. In The Spy Who Came in from the Cold, the East Germans are the West Germans reflected in a distorting mirror. In Gorky Park, there is some of the staccato speech, but it is surrounded by a sense of self-awareness and the pained humor that comes from being under the heavy thumb of a bureaucracy.


Author: Martin Cruz Smith
Novel: Gorky Park
Published: 1981
Rank: #82 on the CWA list; #35 on the MWA list.
Word Count: 135629
Age of author at time of publication: 38
Previous novels published by this author: 17
Opening line: All nights should be so dark, all winters so warm, all headlights so dazzling.
Significance: As Time magazine declared: "The U.S. at last has a domestic le Carré."

-------------------

Martin Hill Ortiz is the author of Never Kill A Friend, Ransom Note Press.



Never Kill A Friend, Ransom Note Press

Never Kill A Friend is available for purchase in hard cover format and as an ebook.
The story follows Shelley Krieg, an African-American detective for the Washington DC Metro PD as she tries to undo a wrong which sent an innocent teenager to prison.

Hard cover: Amazon US
Kindle: Amazon US
Hard cover: Amazon UK
Kindle: Amazon UK
Barnes and Noble

Friday, January 6, 2017

The Coming of Age of the Legal Mystery

 Having put together an epic Hammett versus Chandler smackdown, I thought I might do the same for Grisham versus Turow. Then I realized that, while I have read nearly all of Hammett and Chandler, I've only sampled a few of the works from the modern masters of the legal thriller – and Grisham continues to crank out novels at a pace faster than the human eye can read.

So, here instead, is a brief look at the coming of age of the legal mystery and thriller with a special focus on two of the top legal mysteries: Anatomy of a Murder and Presumed Innocent.

"Who you stealing from, Chandler or Hammett or Gardner?" the detective to his mystery writer friend in Dorothy B. Hughes, In A Lonely Place (1947).

Along with Encyclopedia Brown and Doc Savage, I read Erle Stanley Gardner as a kid. The Perry Mason novels series ran to over 80 novels and they were each as chewy as bubble gum.

The first novel I fell in love with was a legal mystery: Harper Lee's To Kill A Mockingbird (1960). I first read it to get a star pasted above my reading rocket ship in its trip to the moon and then immediately read it again, space flight be damned.

Mockingbird made me feel like I was peeking at the secrets of the adult world: the boogieman wasn't the bad guy and the good knight sometimes lost the jousts. Instinct told me these accounts spoke the truth: life was not what it seemed; life could be unfair.

In this same time period, the legal mystery was growing up. Published three years before Mockingbird, attorney Robert Traver's 1957 novel Anatomy of a Murder stood pivotal in the change between the fantasy courtroom mysteries wherein the killer confessed during cross-examination and the real-life dramas of the intricacies of the legal gaming between prosecutor and lawyer wherein innocence and guilt were the prizes and the client was of secondary importance.

Traver was acutely aware of this. His main character, attorney Paul Biegler, bemoans his secretary burying her nose in a mystery novel. "Mystery thriller indeed, I thought. Here she was working on a case that had more real mystery about it than a dozen contrived thrillers. . ." Whodunnit was known. The suspense lay in whether the lawyer would win the perpetrator his innocence.

The author described the mission of his book in his introduction to the 25th anniversary edition. "For a long time I had seen too many movies and read too many books and plays about trials that were almost comically phony and overdone, mostly in their extravagant efforts to overdramatize an already inherently dramatic human situation."

Readers responded. Anatomy of a Murder spent 29 weeks in the number one position on the New York Fiction Bestseller list.


Saul Bass's ingenious poster/opening sequence design for Anatomy of a Murder (film).
Jimmy Stewart starred in the 1959 Otto Preminger film version and for my part it was hard to read the book without thinking of Jimmy Stewart voicing the main character (I saw the movie first). The film is excellent, in fact, one of the key pleasures of the book is getting to spend more hours with the characters.

Has any actor ever had a greater first and second act to his career? Perhaps Stewart's success was due in part to following the coming of age of America. First he was the naive Boy Scout leader turned Senator, then the underdog Savings and Loan banker fighting the encroachment of Pottersville. In the 1950s and turning fifty, he could no longer play the gosh-shucks kid and he became the hero of films that took apart the conventions of various genres: Anatomy of a Murder (the courtroom drama), Vertigo (the detective fiction), and The Man Who Shot Liberty Valance (the western).


Otto Preminger (left), Batman (right) Batman also came of age. :(


Scott Turow's Presumed Innocent has many of the trappings of a real-world courtroom mystery, but perhaps it is closer in spirit to that of a stinging satire, along the lines of Paddy Chayefsky's The Hospital. Political intrigue is more important than justice, evidence is misplaced, experts aren't expert, and no one is presumed innocent – and no one is innocent.

Rusty Sabich is a prosecutor accused of murder and all of the tricks used by prosecutors (including those he used) are now played against him.

Anatomy of a Murder also had a cynical view of prosecutors. In his novel, Traver quoted John Mason Brown: "The prosecutor's by obligation is a special mind, mongoose quick, bullying, devious, unrelenting, forever baited to ensnare and by instinct dotes on confusing and flourishes on weakness."


Bonnie Bedelia (left) and Harrison Ford (right) and that might be Raul Julia lurking back there.
Again, it is hard for me to separate Rusty Sabich in the novel from the image provided me by Harrison Ford in the 1990 Alan Pakula adaptation of the book. I believe the novel works better on several levels, in part because of the cumulative intricacies of the broken judicial system, in part because of Turow's moving descriptions of Sabich's despair. "Every life, like every snowflake, seemed to me then unique in the shape of its miseries, and in the rarity and mildness of its pleasures." The book's ending is more satisfying. The final summation of the crime as Rusty imagines it comes from the pain of his character and the formality of having spent so many years propounding law and order. In the film, the twist ending is revealed with the killer confessing, which is a better cinematic choice.


Author: Robert Traver (pen name of John D. Voelker)
Novel: Anatomy of a Murder
Publication: 1957
Rank: #11 on the MWA list.
Word Count: 164030
Age of author at time of publication: 54.
Previous novels published by this author: none.
Opening line: After serving for fourteen years as district attorney of the northern Michigan county where I was born, one chilly fall election day I found myself abruptly paroled from my job by the unappealable verdict of the electorate.
Significance: Changed the drama of the legal mystery from the fantastic whodunnit into that of a real life struggle for justice.

Author: Scott Turow
Novel: Presumed Innocent
Publication: 1987
Rank: #48 on the CWA list, #5 on the MWA list.
Word Count: 141704
Age of author at time of publication: 38.
Previous novels published by this author: none.
Opening line: This is how I always start: "I am the prosecutor."
Significance: Helped initiate the recent wave of legal thrillers.

Final note: Erle Stanley Gardner, Robert Traver, Scott Turow and John Grisham have each practiced law. This is a hard field to break into without a specialized background.

---

Martin Hill Ortiz is the author of Never Kill A Friend, Ransom Note Press.




Never Kill A Friend, Ransom Note Press

Never Kill A Friend is available for purchase in hard cover format and as an ebook.
The story follows Shelley Krieg, an African-American detective for the Washington DC Metro PD as she tries to undo a wrong which sent an innocent teenager to prison.

Hard cover: Amazon US
Kindle: Amazon US
Hard cover: Amazon UK
Kindle: Amazon UK
Barnes and Noble 

Tuesday, November 15, 2016

Chandler Versus Hammett, Hammett Versus Chandler

I have been reviewing the top mystery novels which appeared on the Crime Writers' Association and the Mystery Writers of America best mystery lists.

The #2 entry in the CWA list, The Big Sleep by Raymond Chandler perfectly complements the #2 entry on the MWA list, The Maltese Falcon by Dashiell Hammett.

There exists a cosmic schism among fans and writers of hard-boiled mysteries: Hammett or Chandler?

Solomon: What about Raymond Chandler, who wrote so evocatively about Los Angeles lowlifes before you?
Ellroy: He is egregiously overrated
Solomon: Dashiell Hammett, whose name is synonymous with the adjective "hard-boiled?"
Ellroy: I think he's tremendously great...

From: Questions for James Ellroy, The Mother Load. Interview by Deborah Solomon. New York Times Magazine. Nov. 5, 2006.

"I grew up wanting to be Raymond Chandler, and now, in a sense, I am." Robert B. Parker quoted in Los Angeles Times, 1/13/1991.

Hammett Vs. Chandler

  • Razor-sharp observations Vs. Whiskey-laced metaphors
  • A hard puncher Vs. Pugilistic poet
  • Banter Vs. Wisecracks
  • Spade Vs. Marlowe
  • Bogart Vs. Bogart and Bacall
  • SF Noir Vs. LA Noir
  • Fog on the Waterfront Vs. Santa Ana winds.

Both served up hard liquor, double crosses, cheap hoods, sinister kingpins, and dazzling, dangerous dames.

Author: Dashiell Hammett
Novel:
The Maltese Falcon
Publication: 1930
Rank: #8 on the CWA list, #2 on the MWA list.
Word Count: 66373
Age of author at time of publication: 35.
Previous novels published by this author: two.
Opening line: Samuel Spade’s jaw was long and bony, his chin a jutting v under the more flexible v of his mouth.
Significance: The most iconic detective in mystery fiction who only had a single book.

Author: Raymond Chandler
Novel:
The Big Sleep
Publication: 1939
Rank: #10 on the CWA list, #2 on the MWA list.
Word Count: 56955
Age of author at time of publication: 51.
Previous novels published by this author: none.
Opening line: It was about eleven o’clock in the morning, mid-October, with the sun not shining and a look of hard wet rain in the clearness of the foothills.
Significance: The most iconic private eye in mystery fiction.

The Battle Is ON.


Round One: Career Output, Prose.
Dashiell Hammett wrote five novels and 50 short stories.
Raymond Chandler wrote seven novels and 24 short stories.
(Neither set of figures includes posthumous publications.)
Commentary: Chandler started later in life (age 51, first novel) and all of his novels presented Philip Marlowe as the protagonist. Hammett started publishing novels in his mid-thirties and stopped in his late-thirties. Two novels featured the Continental Op while the others had varied protagonists, most famously Sam Spade and Nick and Nora Charles.
Advantage: Hammett. Writing single novels about characters is more difficult than a series.

Round Two: Supplementary Output.
Dashiell Hammett wrote the screenplays to After The Thin Man; Shadow of The Thin Man; The Glass Key, and Watch on the Rhine. (and probably received help from Lillian Hellman)
Raymond Chandler wrote screenplays to: Double Indemnity; And Now Tomorrow; Strangers on a Train; Blue Dahlia; and, The Unseen. Usually with co-writers.
Dashiell Hammett wrote the first four adventures of the comic hero: Secret Agent X-9, a character who spent sixty years in comic pages.
Raymond Chandler wrote passable poetry and influential essays about mystery literature.
Advantage: Chandler's movies were better, his essays were iconic but, jeepers! Hammett wrote a comic book! Still, I have to give this to Chandler.

Hammett created Secret Agent X-9 after his novel-writing career.

Round Three: Quotability.
Hammett, Maltese Falcon: "The cheaper the crook, the gaudier the patter."
Chandler, The Big Sleep: "I don't mind your showing me your legs. They're very swell legs and it's a pleasure to make their acquaintance."
Hammett, Maltese Falcon: "The chances are you'll get off with life. That means you'll be out again in twenty years. You're an angel. I'll wait for you." He cleared his throat. "If they hang you, I'll always remember you."
Chandler, The Big Sleep: Under the thinning fog the surf curled and creamed, almost without sound, like a thought trying to form itself on the edge of consciousness.
Hammett, Maltese Falcon: Joel Cairo: "You always have a very smooth explanation ready."
Sam Spade: "What do you want me to do, learn to stutter?"
Chandler, Playback: "Guns never settle anything," I said. "They’re just a fast curtain to a bad second act."
Advantage: Chandler. Although not evidenced in the above examples, one of Chandler's faults is that he sometimes chose zingers over better writing. Still, he leads in the quotability factor.

Round Four: Movie Adaptation.
Considering the fact that such short stories as "Witness for the Prosecution" made it on to the all-time great mystery novel lists, one has to accept the fact that a great movie adaptation influences our appreciation of the book.
Hammett, The Maltese Falcon. Several versions including the all-time noir great directed by John Huston. The movie kept most of the book dialogue intact and featured perfect casting in all parts. The 1931 version directed by Roy Del Ruth is no slouch and being pre-Code, included direct sexual references.
Chandler, The Big Sleep. Two versions, but the 1946 make with Bogart and Bacall, directed by Howard Hawks, remains the classic. As a heresy, I like the Mitchum version of Marlowe better (1978), but the whole does not stand up well (and how dare they move it to London).
Advantage: Hammett. I can think of no movie more perfectly cast than The Maltese Falcon, 1941.

Round Five: Vox Populi. (11/15/2016)
Hammett, The Maltese Falcon, Goodreads votes, 62987, 3.92 rating.
Chandler, The Big Sleep, Goodreads votes, 82599, 4.04 rating.
Hammett, The Maltese Falcon, Amazon reviews, 555, 4.2 stars.
Chandler, The Big Sleep, Amazon reviews, 510, 4.3 stars.
Advantage: Chandler. The Big Sleep seems to be getting more love here. (I don't understand reviewers. These books should be between 4.5 and 5.0. What are you saving 5 stars for?)

Round Six: Best Life Story.
Let's face it. One reason that books and other forms of art are celebrated is the story behind them. John Kennedy Toole's tragedy, great fights against censorship, Malcolm Lowry's demons, all infuse the pages of their works.
Hammett: He was a P.I.. He battled tuberculosis and alcoholism (and stopped drinking about 12 years before he died). He wrote five great novels in five years and then, for mysterious reasons wrote no more prose. He was a communist who went to jail rather than reveal names before the House UnAmerican Activities Committee. His longtime companion, Lillian Hellman, is a legend in her own right. A smoker, he died of lung cancer.
Chandler: He spent his formative writing years in England where he published essays and poetry. Then he returned to the United States where he published nothing for 20 years. As a third act he wrote a series of short stories that expanded the emotional and existential borders of hard-boiled crime. He published his first novel (The Big Sleep) in his fifties. One of the most famously hard-drinking authors, he spent his career drunk or taking the cure and died in a rehabilitation clinic.
Advantage: Both have evocative life stories and not-your-typical writing careers. Advantage: Hammett.

Round Seven: The Critics and The Peers.

Has any writer with such a small oeuvre influenced American culture more than Raymond Chandler?

From: The Case For Raymond Chandler, Alan Barra. Salon, 7/31/2002.

It must be said that in the inevitable comparison between Hammett and Chandler, Chandler comes off second best. There was  a toughness in Hammett that Chandler lacked, and did not appreciate. Mystery author and critic Julian Symon in the mystery review, Bloody Murder (1972).

In researching this post, I was surprised at how many critics and famous writers pounded Chandler. Even the above-linked article, The Case for Raymond Chandler, is tepid in its praise. In contrast, I could not find anyone significant who said that Hammett was overrated, although several complained about his abbreviated output or else deemed specific works to be of lesser quality, especially The Dain Curse and The Thin Man.
Advantage: Hammett.

Round Eight: The Sequels.
Hammett, The Maltese Falcon. Although Hammett never wrote more about Sam Spade, Spade did become a major radio character. In recent years, Joe Gores wrote a worthy prequel, Spade & Archer.
Chandler, The Big Sleep. Chandler's entire writing career involved writing sequels, and not only did Marlowe return, but so did his cast of criminals.
Advantage: Chandler.

Overall Verdict: Both are essential reads. My personal preference is Hammett. When I read The Maltese Falcon, I decided I wanted to write mysteries.

Bonus treat: BBC radio adaptations of all seven Chandler novels. 

---
"I was never influenced by Chandler or Hammett." Elmore Leonard.

From: Elmore Leonard, interviewed in Endangered Species: Writers Talk About Their Craft, Their Visions, Their Lives, Lawrence Grobel. Da Capo Press, 2009.

Previously, #1 CWA list, The Daughter of Time
#1 MWA list, The Complete Sherlock Holmes
---

Martin Hill Ortiz is the author of Never Kill A Friend, Ransom Note Press.



Never Kill A Friend, Ransom Note Press

Never Kill A Friend is available for purchase in hard cover format and as an ebook.
The story follows Shelley Krieg, an African-American detective for the Washington DC Metro PD as she tries to undo a wrong which sent an innocent teenager to prison.

Hard cover: Amazon US
Kindle: Amazon US
Hard cover: Amazon UK
Kindle: Amazon UK
Barnes and Noble 

Wednesday, November 9, 2016

The Complete Sherlock Holmes: A Review of the #1 Entry on the Mystery Writers of America List

I am reviewing the top 50 mystery novels which appeared on the Crime Writers' Association and the Mystery Writers of America best mystery lists. I began with the the first choice of the CWA, The Daughter of Time.  I am continuing by switching over to the first entry on the MWA list, The Complete Sherlock Holmes.

Author: Arthur Conan Doyle
Entry: The Complete Sherlock Holmes, 4 novels and 56 short stories.
Publication: 1887 to 1927


#1 on the MWA list, included as #21 on the CWA list as The Collected Sherlock Holmes Short Stories, and #32 as The Hound of the Baskervilles.
Word Count: ~660,000
Age of author at time of publication: 28 to 68.
Previous novels published by this author: none.
First words: In the year 1878 I took my degree of Doctor of Medicine of the University of London, and proceeded to Netley to go through the course prescribed for surgeons in the army.
Last words: . . . the lucky owner got away scatheless from this strange incident in a career which has now outlived its shadows and promises to end in an honoured old age.
Significance: By far the greatest influence on the detective story. The most enduring literary character, period. Ripping good yarns.
 

Where to start in a critique of Sherlock Holmes adventures? I guess I should declare that I am, in a minor way, a Conan Doyle scholar. Along with researching Conan Doyle to include him in my mystery, A Predator's Game, I have an article forthcoming in the prestigious Baker Street Journal, a 70-year-old publication dedicated to all things Sherlockian.

Now as it has for 120 years, Sherlock Holmes has continued to demonstrate a remarkable popularity:
  • BBC's current series is a geekfest for a new generation. 
  • Robert Downey, Jr., the highest paid actor of 2015, recently starred in two comic bookish free adaptations.
  • Sherlock Holmes was cited in Guinness Book of World Records as the fictional human character most frequently adapted to film and television (Dracula, non-human, is in the lead). The survey notably left out Dr. Watson who appears in nearly all of the Sherlockian adaptations.

Dr. Gregory House, a literary descendant of Holmes. The "homage" of his home address is a bit too spot-on.

One of the joys of Sherlock Holmes comes from Conan Doyle's attention to world-building. The stories are set in a matter-of-fact existing world, a world that feels lived in even when the players are not out having adventures. One way in which this is done is by Conan Doyle often referring to stories that had never been written. Why did Sherlock Holmes seem so brilliant and his cases so exotic? Watson puts forward that there were many more adventures that were either mundane or else failures on the part of Holmes. He chose the good ones. And I nod and think, that makes sense.

The first forty-six short stories and all of the novels of Sherlock Holmes are public domain. The final ten short stories are not. If you are interested in saving money, there are many inexpensive editions that include the public domain works before having to go on to the final story collection: The Case Book of Sherlock Holmes.

(Note to the Doyle heirs. To extend your publication rights: The Cookbook of Sherlock Holmes.)

The endings in several stories were morally ambiguous. Irene Adler bests Sherlock Holmes. Moriarty kills him (although not permanently).

The final stories end on a gloomy note. The Adventure of the Retired Colourman, the last entry in The Case Book, features a killer who gases his victims in a sealed room later taking on Sherlock Holmes's detection as sport.

In that story Sherlock Holmes declares: But is not all life pathetic and futile? Is not his story a microcosm of the whole? We reach. We grasp. And what is left in our hands at the end? A shadow. Or worse than a shadow - misery.

Personal Verdict: Sherlock Holmes is by far the single most important formative influence in the history of detective fiction. Great reads of a world frozen in time.

Quibbles: Conan Doyle too often lapses into stereotypes and prejudice of his day. His villains include East Indian cults, voodoo practitioners, and evil Mormons. His portrayal of the last of these groups stains A Study in Scarlet, the novel with Holmes's debut.
Brendan Cumberbatch is an excellent actor and the embodiment of the modern Holmes but the BBC series writer Stephen Moffat is joyously, brilliantly clever to which he adds on too clever by half.

Other related posts:
The Crime of the Century
Nikola Tesla versus Sherlock Holmes.
Arthur Conan Doyle Versus the Evil Holmes

-------------------

Martin Hill Ortiz is the author of Never Kill A Friend, Ransom Note Press.



Never Kill A Friend, Ransom Note Press

Never Kill A Friend is available for purchase in hard cover format and as an ebook.
The story follows Shelley Krieg, an African-American detective for the Washington DC Metro PD as she tries to undo a wrong which sent an innocent teenager to prison.

Hard cover: Amazon US
Kindle: Amazon US
Hard cover: Amazon UK
Kindle: Amazon UK
Barnes and Noble 



Tuesday, November 1, 2016

The Daughter of Time: A Review of the #1 Mystery Novel on the Crime Writers' Association List

As I mentioned in my introductory post, I will be reviewing the top mystery novels which appeared on the Crime Writers' Association and the Mystery Writers of America best mystery lists. I begin with the unique mystery, The Daughter of Time.

Author: Josephine Tey (nom de plume of Elizabeth MacKintosh, aka Gordon Daviot)
Novel: The Daughter of Time
Publication: 1951
#1 on the CWA list, #4 on the MWA list.
Word Count: 48450
Age of author at time of publication: 55.
Previous novels published by this author: nine. (and a number of plays)
Opening line: Grant lay on his high white cot and stared at the ceiling.
Significance: Final novel published during the lifetime of a great mystery author. A unique mystery.
Real Significance: It changed history.

Hello? Those who fantasize about going back in time to change history should stop concentrating on building a time machine and consider writing a novel.

This novel takes place in a hospital room where Josephine Tey's favorite detective, Inspector Alan Grant, is going crazy while taking forever to convalesce from a broken leg. So he turns to reading history. Except. . .

This novel really takes place inside the British consciousness. At the time of its publication, King Richard the Third was the champion villain among the English monarchy, in particular because he killed his two young nephews/princes in the Tower of London. In the British psyche, this may well have been The Crime of the Millennium. Before it came common practice to tear apart conventional wisdom, Tey constructed a historical treatise in mystery format that set out to rehabilitate King Richard's reputation. In that respect, her book was a fantastic success. It even helped lead to the recent discovery of King Richard's bones. (Discussed in the New Yorker link below)

Cleverly plotted, in this compact novel the reader learns of each new piece of evidence exonerating Richard the Third at the same time that the fictional detective uncovers it. Some of this evidence is compelling: Richard the Third had nothing to gain from killing his nephews. The history of Richard the Third was written by his hated rival and successor, Henry VII. It was this history that Shakespeare called upon, which once having written one of the great plays of all time, cemented Richard's unsavory reputation.

Shakespeare often showed the biases of his age. He wasn't about to insult the Tudors, his patrons. His portrait of Joan of Arc depicted her as a wench and deserving of her death.

Other evidence presented in favor of Richard the Third is less compelling. Early on Inspector Grant is convinced from a portrait that someone with such a nice face couldn't be a killer.

So, was Richard the Third indeed innocent, perhaps even benevolent? I don't care. The point is not whether I should swing from one version of history to another, it is whether I should critically regard pre-packaged history.

Here are a pair of excellent articles about Josephine Tey and the impact of The Daughter of Time.

The Mystery of Josephine Tey. (Vanity Fair)


The Detective Novel That Convinced a Generation that Richard III Wasn't Evil. (New Yorker)

Petty complaints? Why do you even need to be in a hospital to recover from a broken leg?

Overall judgment: Highly Recommended.

Josephine Tey
Now is the winter of our discotheque: Appended to mention that various versions of Richard the III emerge throughout literature. A heroic Richard III is the model for Robert Stark in Game of Thrones. (Stark/son of York) Others are noted in this Guardian article.

I wrote a short-short "The Richard the Third Murder Mystery," presented here.
-----------------
Martin Hill Ortiz is the author of Never Kill A Friend, Ransom Note Press.



Never Kill A Friend, Ransom Note Press

Never Kill A Friend is available for purchase in hard cover format and as an ebook.
The story follows Shelley Krieg, an African-American detective for the Washington DC Metro PD as she tries to undo a wrong which sent an innocent teenager to prison.

Hard cover: Amazon US
Kindle: Amazon US
Hard cover: Amazon UK
Kindle: Amazon UK
Barnes and Noble 

Reviewing the Top 50 Mystery Novels

I began my blog by performing some analyses of the novels included on the Crime Writer's Association and the Mystery Writers of America lists of the top mystery novels. I looked into questions as to sex and age of the authors, time of publication, length of the novels and sub-genre of the plots.

CWA list: When written, male versus female, Yank versus Brit.
MWA list: When written, male versus female, Yank versus Brit.

The CWA list favored British authors, the MWA list favored American authors. Both favored male authors.
The above pie charts reflect the individual authors on the lists, not how many books they wrote.

I used the lists as a personal guide to bulk up on my reading of the classics. Now that I have read a sufficient number, I'm setting out on a mission to compose reviews for the top 50 entries from each list. (Fifty-one for CWA due to a tie).

The lists overlap. Using the top 50 from the two lists, there are a total of 76 entries. Four of these are short story collections and the rest are novels. Of these 76, I have read 53, and I plan to read the others as I proceed with the reviews.

Why Read the Classics?

As a jazz-lover, I am a big fan of the be-bop forties and fifties. This must drive modern jazz musicians crazy. They will tell you a lot has happened since. Similarly, it is true that many mystery fans are engaged by the brilliance of the late-greats such as Agatha Christie, Raymond Chandler and Dorothy L. Sayers, sometimes to the exclusion of modern masters who could profit from a few extra sales.

I would argue that the older pieces are better. Why? To continue the above analogy, one reason that old music seems better than the recent output is that the poorer old pieces have been forgotten. Along these lines, the top novels from 150 years of mysteries have had 150 years to accumulate their best. Extending this argument, the list of all-time greats is still growing, but slowly. The 76 entries in a century-and-a-half, works out to be a single choice every two years.

Because of this, I hold two seemingly contradictory opinions: the classics are the best and these are the good old days.

Furthermore, the enduring classics remain relevant for a reason. Ezra Pound once said that "literature is news that stays news." For a classic to endure, it must resonate with a truth that speaks across generations.

Two more reasons to read the classics. The first of these is the classic academic reason: by connecting with the classics a reader can begin to build a better appreciation of the modern.

The final reason is this. A time back, I discovered a New York Times article from 1914 in which many of the best writers of the day picked their favorite short stories. I went out of my way to read all of the selections (forty-nine of them, 500,000 plus words). I assembled them in a three volume set so others could read them without hunting them down.

From this exercise in reading pre-modern literature I learned a lot about the rigors of linear plotting and character development, much more so than I had from reading today's writers: Classics have something to teach modern writers. This is even more true for mysteries. More than other genres, classic mysteries have to be brilliantly plotted.

Review of the #1 Mystery Novel from the CWA List.

Here are the top fifty mystery novels and short story collections from the Crime Writers' Association and the Mystery Writers of America, arranged by author. When a particular mystery appears in the top fifty of both lists, its place in the corresponding list is noted in brackets.

The Top 50 Mysteries as chosen by the Crime Writers' Association (1990), by Author.

26    Margery Allingham: The Tiger in the Smoke (1952)
24    Eric Ambler: The Mask of Dimitrios (1939) [17]
34    E. C. Bentley: Trent's Last Case (1913) [33]
41    Anthony Berkeley: The Poisoned Chocolates Case (1929)
16    Francis Iles: Malice Aforethought (1931)
20    John Buchan: The Thirty-Nine Steps (1915) [22]
30    James M. Cain: The Postman Always Rings Twice (1934) [14]
  2    Raymond Chandler: The Big Sleep (1939) [8]
  7    Raymond Chandler: Farewell My Lovely (1940) [21]
15    Raymond Chandler: The Long Goodbye (1953) [13]
47    Raymond Chandler: The Lady in the Lake (1943)
  5    Agatha Christie: The Murder of Roger Ackroyd (1926) [12]
19    Agatha Christie: And Then There Were None (1939) [10]
  8    Wilkie Collins: The Moonstone (1868) [7]
28    Wilkie Collins: The Woman in White (1860) [32]
21    Arthur Conan Doyle: The Collected Sherlock Holmes Short Stories (1892-1927) [1*]
32    Arthur Conan Doyle: The Hound of the Baskervilles (1902) [1*]
25    Edmund Crispin: The Moving Toyshop (1946)
  9    Len Deighton: The IPCRESS File (1962) [4]
36    Colin Dexter: The Dead of Jericho (1981)
40    John Dickson Carr: The Hollow Man (1935)
50    John Dickson Carr: The Devil in Velvet (1951)
  6    Daphne du Maurier: Rebecca (1938) [9]
13    Umberto Eco: The Name of the Rose (1980)  [23]
35    Ian Fleming: From Russia, with Love (1957)
17    Frederick Forsyth: The Day of the Jackal (1971) [20]
46    Graham Greene: Brighton Rock (1938)
10    Dashiell Hammett: The Maltese Falcon (1930) [2]
31    Dashiell Hammett: The Glass Key (1931)
38    Patricia Highsmith: Strangers on a Train (1950)
45    Patricia Highsmith: The Talented Mr. Ripley (1955)
14    Geoffrey Household: Rogue Male (1939)
  3    John le Carré: The Spy Who Came In From the Cold (1963) [6]
33    John le Carré: Tinker, Tailor, Soldier, Spy (1974) [30]
44    Ira Levin: A Kiss Before Dying (1953)
27    Peter Lovesey: The False Inspector Dew (1982)
36    Ed McBain: Cop Hater (1956)
42    Ellis Peters: A Morbid Taste for Bones (1977)
42    Ellis Peters: The Leper of Saint Giles (1981)
23    Edgar Allan Poe: Tales of Mystery & Imagination (1852) [3]
39    Ruth Rendell: A Judgement in Stone (1977)
49    Ruth Rendell: A Demon in My View (1976)
29    Barbara Vine: A Dark-Adapted Eye (1986)
50    Barbara Vine: A Fatal Inversion (1987)
  4    Dorothy L. Sayers: Gaudy Night (1935) [18]
18    Dorothy L. Sayers: The Nine Tailors (1934) [28]
22    Dorothy L. Sayers: Murder Must Advertise (1933)
  1    Josephine Tey: The Daughter of Time (1951) [4]
11    Josephine Tey: The Franchise Affair (1948)
48    Scott Turow: Presumed Innocent (1987) [5]
12    Hillary Waugh: Last Seen Wearing ... (1952)

The Top 50 Mysteries as Chosen by the Mystery Writers of America (1995), by Author.

17    Eric Ambler: A Coffin for Dimitrios (1939) [17]
33    E. C. Bentley: Trent's Last Case (1913) [33]
22    John Buchan: The Thirty-Nine Steps (1915) [20]
14    James M. Cain: The Postman Always Rings Twice (1934) [30]
34    James M. Cain: Double Indemnity (1943)
44    Vera Caspary: Laura (1942)
  8    Raymond Chandler: The Big Sleep (1939) [2]
13    Raymond Chandler: The Long Goodbye (1953) [15]
21    Raymond Chandler: Farewell My Lovely (1940) [7]
10    Agatha Christie: And Then There Were None (1939) [19]
12    Agatha Christie: The Murder of Roger Ackroyd (1926) [5]
19    Agatha Christie: The Witness for the Prosecution (1948)
41    Agatha Christie: Murder on the Orient Express (1934)
  7    Wilkie Collins: The Moonstone (1868) [8]
32    Wilkie Collins: The Woman in White (1860) [28]
  1    Arthur Conan Doyle: The Complete Sherlock Holmes (1887-1927) [21/32]*
35    Martin Cruz Smith: Gorky Park (1981)
43    Len Deighton: The IPCRESS File (1962) [4]
24    Fyodor Dostoyevsky: Crime and Punishment (1866)
  9    Daphne du Maurier: Rebecca (1938) [6]
23    Umberto Eco: The Name of the Rose (1980) [13]
25    Ken Follett: Eye of the Needle (1978)
20    Frederick Forsyth: The Day of the Jackal (1971) [17]
48    Graham Greene: The Third Man (1950)
42    John Grisham: The Firm (1991)
  2    Dashiell Hammett: The Maltese Falcon (1930) [10]
31    Dashiell Hammett: The Thin Man (1934)
39    Dashiell Hammett: Red Harvest (1929)
16    Thomas Harris: The Silence of the Lambs (1988)
27    Thomas Harris: Red Dragon (1981)
50    Mary Higgins Clark: Where Are the Children? (1975)
37    Tony Hillerman: Dance Hall of the Dead (1973)
  6    John le Carré: The Spy Who Came In From the Cold (1963) [3]
30    John le Carré: Tinker, Tailor, Soldier, Spy (1974) [33]
29    Gregory Mcdonald: Fletch (1974)
26    John Mortimer: Rumpole of the Bailey (1978)
  3    Edgar Allan Poe: Tales of Mystery & Imagination (1852) [23]
15    Mario Puzo: The Godfather (1969)
40    Mary Roberts Rinehart: The Circular Staircase (1908)
18    Dorothy L. Sayers: Gaudy Night (1935) [4]
28    Dorothy L. Sayers: The Nine Tailors (1934) [18]
36    Dorothy L. Sayers: Strong Poison (1930)
46    Maj Sjöwall & Per Wahlöö: The Laughing Policeman (1968)
45    Mickey Spillane: I, the Jury (1947)
  4    Josephine Tey: The Daughter of Time (1951) [1]
11    Robert Traver: Anatomy of a Murder (1958)
49    Jim Thompson: The Killer Inside Me (1952)
  5    Scott Turow: Presumed Innocent (1987) [48]
38    Donald E. Westlake: The Hot Rock (1970)
47    Donald E. Westlake: Bank Shot (1972)

Further notes: Why the top 50? I've read three-quarters of them and only half of the top 100 lists. I have found the lists to be more hit and miss for numbers 51 to 100. In previous blog entries I discussed the novels at the exclusion of the short stories. It seemed problematic to consider publication date of a collection of short stories, or complete collections in describing aspects of a writer's career. Here, I will include the short story collections.

*The CWA list has the complete short stories of Sherlock Holmes as one entry and Hound of the Baskervilles as another. The MWA has the complete Sherlock Holmes as a single entry. These were counted as overlapping.

-------------------

Martin Hill Ortiz is the author of Never Kill A Friend, Ransom Note Press.




Never Kill A Friend, Ransom Note Press

Never Kill A Friend is available for purchase in hard cover format and as an ebook.
The story follows Shelley Krieg, an African-American detective for the Washington DC Metro PD as she tries to undo a wrong which sent an innocent teenager to prison.

Hard cover: Amazon US
Kindle: Amazon US
Hard cover: Amazon UK
Kindle: Amazon UK
Barnes and Noble