Showing posts with label Hitchcock. Show all posts
Showing posts with label Hitchcock. Show all posts

Sunday, July 1, 2018

Dial M for Murder, Wait Until Dark, and. . .


Frederick Knott wrote three plays during his career. These were clever mysteries, carefully plotted, with whiplash twists. Two, his first and his last, became all-time classic films: Dial M for Murder and Wait Until Dark. This left me with the question: what about the one in the middle?

Write Me a Murder began its life with great promise. It ran for a decent 196 performances on Broadway, starring James Donald, Denholm Elliot and Kim Hunter. It won the 1962 Edgar for Best Mystery Play.

Dial M for Murder
was filmed by Hitchcock and stands at the lower end of his top tier films. It has been filmed repeated times in slightly variant forms.

Wait Until Dark was filmed by Terrence Young, a veteran director, best know for this film and three of the four original Bond movies, providing Audrey Hepburn with one of her classic roles.

Write Me a Murder never made it beyond television productions, the first for BBC's Thursday Theater in 1964, and a second by the Australian Broadcasting Company in 1965. Neither have gained the minimum five votes to be rated on IMDB.

From time to time it gets revived in small and moderate-sized theaters, and, coincidentally, there is a current staging going on at Person Playhouse in Pacific Palisades. (Probably produced by Peter Piper.)

And that's it. It has never returned to Broadway or off-Broadway as far as I can find. This intrigued me. I had to investigate, so I ordered a copy of the acting edition.

The story plays out as follows (no major spoilers).

Although the Rodingham estate has been in family hands for 500 years, financial pressures force the heir, Clive Rodingham, to sell. The buyer is a crass businessman, Charles Sturrock, who has secret plans to chop-up the estate and convert the acreage into suburban housing.

Clive's brother, David, writes mysteries. David discovers that Sturrock's wife, Julia shares this and–soon enough–other passions. Together David and Julia write a story about the perfect murder. When they decide to use the plot to kill her husband, they burn the drafts.

Of course there are some twists between the murder plans and the murderers living happily ever after.

So, what's the verdict? Is this play the poor relation of its famous siblings or is it equal in quality?

Write Me a Murder is only available for reading as a stage play. This relegates the action to stage directions. Being a clockwork mystery I found myself struggling to visualize "cross to chair A," while wondering if this direction was significant to the murder. It wasn't.

That aside, Knott has a distinct and economical way of drawing characters. Consider the line "world's champion blind lady" from Wait Until Dark and you know deep down she is tougher than the killers. When Julia tells David she has written twenty stories over seven years and not one was published, David remarks that she must be a real writer: anyone else would have given up.

The story is compelling, richly plotted. There was one major coincidence/twist that drove the plot that I felt was deux ex machina and a couple of minor plot holes which could easily be fixed in an adaptation. I haven't read the play treatments of Dial M for Murder or Wait Until Dark. Maybe minor glitches were repaired in the screenplays. 

Those are quibbles. My final verdict is that Write Me a Murder is worthy of a major revival or a screen treatment. For those who love clever mysteries it is an unjustly neglected masterpiece.

Kim Hunter and Denholm Elliot, original Broadway production.



Martin Hill Ortiz is the author of Never Kill A Friend, Ransom Note Press.





Never Kill A Friend, Ransom Note Press

Never Kill A Friend is available for purchase in hard cover format and as an ebook.
The story follows Shelley Krieg, an African-American detective for the Washington DC Metro PD as she tries to undo a wrong which sent an innocent teenager to prison.

Hard cover: Amazon US
Kindle: Amazon US
Hard cover: Amazon UK
Kindle: Amazon UK
Barnes and Noble 

Martin Hill Ortiz is also the author of A Predator's Game. His epic poem, Two Mistakes, recently won second place in the Margaret Reid/Tom Howard Poetry Competition. He can be contacted at mdhillortiz@gmail.com.

Thursday, May 4, 2017

Hitchcock by the Numbers.

I recently finished reading Patricia Highsmith's Strangers on a Train and I linked it in my mind to Daphne du Maurier's Rebecca. Both were written by women and both were darker in tone and plotting than their corresponding Hitchcock films. With The Birds as another example immediately springing to mind, I asked myself, how many Hitchcock films came from source material written by women?

Suggestions for my blog are always welcome.


So: Hitchcock by the Numbers.

In a career spanning 1925 to 1976, Hitchcock directed 54 feature films. You will find slight variations in this number being cited. The film Mary (1931) was filmed simultaneously and on the same sets as Murder! (1930) but with German actors and a German version of the script. I count this as two films. Some, when discussing the content of Hitchcock films leave out The Mountain Eagle (1927). The film is lost to history so we don't know, for example, whether Hitchcock made a cameo.

With that in mind, here goes.

  • Directed 54 feature films.
  • 40 were mysteries or thrillers.
  • -  11 of these were spy thrillers.
  • 10 were dramas or melodramas.
  • -  1 was a sports melodrama.
  • 3 were comedies and 2 more were mystery/comedies.
  • 1 musical.

  • 26 were adapted from novels.
  • 12 were from original screenplays or stories original to the screen.
  • -  1 of these won an Oscar for John Steinbeck (Lifeboat).
  • 11 were adapted from plays.
  • 2 were adapted from short stories.
  • 2 were adapted from non-fiction sources.


  • 39 had Hitchcock cameos.
  • 6 films included Leo G. Carroll
  • 4 films included Cary Grant or Jimmy Stewart
  • 3 films included Grace Kelly or Ingrid Bergman

From: http://news.muckety.com/2012/10/26/hitchcocks-favorite-actors/38751

As to crediting the writers, I looked at the source material, i.e., Rebecca was du Maurier and not those who worked on the screenplay. If the story was written directly to screen, then the screenplay writers or original story writers were counted. I limited my count to the credited writers. Hitchcock and his wife, Alma Reville, often had a hand in shaping scripts. When three collaborated, a one-third value was given. When two, a one-half value. (Hence 5/6ths, 1/2 plus 1/3).

  • From male writers: 42 and 5/6ths.
  • From female writers: 11 and 1/6th. 
(Many of the best films were from female writers, beginning with Hitchcock's breakthrough film, The Lodger.)

IMDB ranking.

IMDB allows those registered to rate films from one to ten. With 42 million visitors per month it is the 48th most visited site on the internet. The films of Alfred Hitchcock have received a total of 2.5 million votes for an averaging rating of 7.0. Presented below are the films as ranked. While I disagree with some of the ordering, for example, Dial M for Murder is too high, overall, the list has merit. Psycho probably received first place because it is the most modern and highest impact Hitchcock film (it certainly has the most memorable soundtrack). Some were probably upvoted because they appeal to film enthusiasts for their experimentation (Rope). My personal favorite is Notorious.

Film title original (year released) IMDB rating, IMDB votes.

  1. Psycho (1960) 8.5, 453037
  2. Rear Window (1954) 8.5, 338201
  3. Vertigo (1958) 8.4, 268112
  4. North by Northwest (1959) 8.4, 233195
  5. Dial M for Murder (1954) 8.2, 115226
  6. Rebecca (1940) 8.2, 93236  
  7. Strangers on a Train (1951) 8.0, 103272   
  8. Rope (1948) 8.0, 101123  
  9. Notorious (1946) 8.0, 76970    
  10. Shadow of a Doubt (1943) 8.0, 47715
  11. The Lady Vanishes (1938) 7.9, 37720
  12. The 39 Steps (1935) 7.8, 41802   
  13. Lifeboat (1944) 7.8, 21427   
  14. The Birds (1963) 7.7, 136624
  15. Spellbound (1945) 7.6, 34644
  16. Foreign Correspondent (1940) 7.6, 14342   
  17. To Catch a Thief (1955) 7.5, 49068  
  18. The Man Who Knew Too Much (1956) 7.5, 44830   
  19. Frenzy (1972) 7.5, 32557   
  20. The Wrong Man (1956) 7.5, 20022   
  21. Suspicion (1941) 7.4, 25006   
  22. I Confess (1953) 7.3, 15267   
  23. The Lodger (1927) 7.3, 7286   
  24. Marnie (1964) 7.2, 35784   
  25. The Trouble with Harry (1955) 7.2, 26347   
  26. Saboteur (1942) 7.2, 18534   
  27. Sabotage (1936) 7.1, 11,670   
  28. Stage Fright (1950) 7.1, 9879
  29. Blackmail (1929) 7.0, 7461   
  30. Young and Innocent (1937) 7.0, 6838   
  31. The Man Who Knew Too Much (1934) 6.9, 13296   
  32. Family Plot (1976) 6.8, 16276   
  33. Torn Curtain (1966) 6.7, 19688   
  34. Secret Agent (1936) 6.6, 6381      
  35. The Paradine Case (1947) 6.5, 7871
  36. Mr. & Mrs. Smith (1941) 6.5, 7563
  37. Murder! (1930) 6.4, 4359   
  38. Topaz (1969) 6.3, 13325      
  39. Jamaica Inn (1939) 6.3, 6873   
  40. The Manxman (1929) 6.3, 1913
  41. Under Capricorn (1949) 6.2, 4921
  42. The Ring (1927) 6.2, 2381
  43. Downhill (1927) 6.2 1321
  44. The Farmer's Wife (1928) 6.0, 1838  
  45. The Pleasure Garden (1925) 6.0, 1499
  46. Waltzes from Vienna (1934) 6.0, 877
  47. Mary (1931) 6.0, 414           
  48. Rich and Strange (1931) 5.9, 3139   
  49. Number Seventeen (1932) 5.8, 3583   
  50. The Skin Game  (1931) 5.8, 2164
  51. Easy Virtue  (1928) 5.7, 1935
  52. Champagne (1928) 5.6, 1459   
  53. Juno and the Paycock (1930) 4.8, 1627
  54. The Mountain Eagle (1927) lost film, zero votes.

--------------

 Martin Hill Ortiz is the author of Never Kill A Friend, Ransom Note Press.





Never Kill A Friend, Ransom Note Press

Never Kill A Friend is available for purchase in hard cover format and as an ebook.
The story follows Shelley Krieg, an African-American detective for the Washington DC Metro PD as she tries to undo a wrong which sent an innocent teenager to prison.

Hard cover: Amazon US
Kindle: Amazon US
Hard cover: Amazon UK
Kindle: Amazon UK
Barnes and Noble