Saturday, March 12, 2016

The Aerophone Will Destroy Civilization

This article is from the March 25, 1878, New York Times. There are suggestions that it is sly humor or Swiftian satire, but it is so deadpan and technology has regularly aroused ridiculous fears that it may be serious. You decide. The aerophone, as the opinion piece says, was a device to amplify sound. It operated by blasting sound through a trumpet-like cone. It is listed among the dozen or so inventions included in Edison's Who's Who entries.

     THE AEROPHONE.

    Something ought to be done to Mr. EDISON, and there is a growing conviction that it had better be done with a hemp rope. Mr. EDISON has invented too many things, and almost without exception they are things of the most deleterious character. He has been addicted to electricity for many years, and it is not very long ago that he became notorious for having discovered a new force, though he has since kept it carefully concealed, either upon his person or elsewhere. Recently he invented the phonograph, a machine that catches the lightest whisper of conversation and stores it up, so that at any future time it can be brought out, to the confusion of the original speaker. This machine will eventually destroy all confidence between man and man, and render more dangerous than ever woman's want of confidence in woman. No man can feel sure that wherever he may be there is not a concealed phonograph remorseless gathering up his remarks and ready to reproduce them at some future date. Who will be willing, even in the bosom of his family, to express any but most innocuous and colorless views? and what woman when calling on a female friend, and waiting for the latter to make her appearance in the drawing-room, will dare to express her opinion of the wretched taste displayed in the furniture, or the hideous appearance of the family photographs? In the days of persecution and espionage it was said, though with poetical exaggeration, that the walls had ears. Thanks to Mr. Edison's perverted ingenuity, this has not only become a literal truth, but every shelf, closet, or floor may now have its concealed phonographic ears. No young man will venture to carry on a private conversation with a young lady, lest he should be filling a secret phonograph with evidence that, in a breach of promise suit, would secure an immediate verdict against him, and our very small-boys will fear to express themselves with childish freedom, lest the phonograph should report them as having used the name of "gosh," or as having to "bust the snoot" of the long-suffering governess. The phonograph was, at the time of its invention, the most terrible example of depraved ingenuity which the world had seen; but Mr. EDISON has since reached a still more conspicuous peak of scientific infamy by inventing the aerophone--an instrument far more devastating in its effects and fraught with the destruction of human society.

    The aerophone is apparently a modification of the phonograph. In fact, it is a phonograph which converts whispers into roars. If, for example, you mention, within hearing of the aerophone, that you regard Mr. HAYES as the; greatest and best man that America has yet produced, that atrocious instrument may overwhelm you with shame by repeating your remark in a tone that can be heard no less than four miles. Mr. EDISON, with characteristic effrontery, represents this as a useful and beneficent invention. He says that an aerophone can be attached to a locomotive, and that with its aid the engineer can request persons to "look out for the locomotive" who are nearing a railway crossing four miles distant from the train. He also boasts that he will attach an aerophone to the gigantic statue of "Liberty," which France is to present to this country, provided we will raise money enough to pay for it, and that the statue will thus be able to welcome incoming vessels in the Lower Bay, and to warn them not to come up to the City in case Mr. STANLEY MATTHEWS is delivering an oration on the currency, or Mr. COX is making a comic speech at Tammany Hall. Were the aerophone to be confined strictly to these uses, it might prove a comparatively unobjectionable instrument; but no man can loose a whirlwind and guarantee that its ravages shall be confined to Chicago, or to some other place where it may do positive good.

  This country has long suffered from excessive talk. Had nine-tenths of our citizens who have been born during the last fifty years been absolutely dumb, the Republic would doubtless have preserved its pristine purity. It is the interminable talk of Congressmen and other leading citizens that is the source of all our public woes. Talk is likewise the bane of private life. With dumb wives there would be no need of divorce courts, and with dumb husbands home might become a blessed reality instead of a poetic dream. And yet; knowing full well that talk is a monster of such hideous meaning that to be hated needs only to be constantly heard, Mr. EDISON has devised an instrument by which the range of conversation is extended from a few feet to four miles.

  Our present vocal powers are always used to their full capacity. Everybody talks with about the same volume of voice, and when the aerophone comes into use, people will universally talk as loudly as the instrument will permit. When ninety-nine people out of a hundred converse with the aerophone, there will be such a roar of conversation that the hundredth person, who may speak in his natural voice, cannot be heard. We can only faintly imagine the horrible results of the general introduction of the aerophone. Wives residing in suburban Jersey villages will call to their husbands at their places of business in the City, and require information as to subjects of purely domestic interest. Mothers whose children have wandered out of sight will howl over a four-mile tract of country direful threats as to the flaying alive which awaits James Henry and Ann Eliza unless they instantly come home. From morning till midnight our ears will be tortured with the uproar of aerophonic talk, and deaf men will be looked upon as the favored few to whom nature has made life tolerable.

    The result will be the complete disorganization of society. Men and women will flee from civilization and seek in the silence of the forest relief from the roar of countless aerophones. Business, marriage, and all social amusements will be thrown aside, except by totally deaf men, and America will retrogade to the Stone Age with frightful rapidity. Better is a dinner of raw turnips in a damp cave than a banquet at DELMONICO'S within hearing of ten thousand aerophones. Far better is it to starve in solitude than to possess all the luxuries of civilization at the price of hearing every remark that is made within a radius of four miles. It may be too late to suppress the aerophone now, but at least there is time to visit upon the head of its inventor the just indignation of his fellow-countrymen.

    Our present vocal powers are always used to their full capacity. Everybody talks with about the same volume of voice, and when the aerophone comes into use, people will universally talk as loudly as the instrument will permit. When ninety-nine people out of a hundred converse with the aerophone, there will be such a roar of conversation that the hundredth person, who may speak in his natural voice, cannot be heard. We can only faintly imagine the horrible results of the general introduction of the aerophone. Wives residing in suburban Jersey villages will call to their husbands at their places of business in the City, and require information as to subjects of purely domestic interest. Mothers whose children have wandered out of sight will howl over a four-mile tract of country direful threats as to the flaying alive which awaits James Henry and Ann Eliza unless they instantly come home. From morning till midnight our ears will be tortured with the uproar of aerophonic talk, and deaf men will be looked upon as the favored few to whom nature has made life tolerable.

    The result will be the complete disorganization of society. Men and women will flee from civilization and seek in the silence of the forest relief from the roar of countless aerophones. Business, marriage, and all social amusements will be thrown aside, except by totally deaf men, and America will retrogade to the Stone Age with frightful rapidity. Better is a dinner of raw turnips in a damp cave than a banquet at DELMONICO'S within hearing of ten thousand aerophones. Far better is it to starve in solitude than to possess all the luxuries of civilization at the price of hearing every remark that is made within a radius of four miles. It may be too late to suppress the aerophone now, but at least there is time to visit upon the head of its inventor the just indignation of his fellow-countrymen.

Cross-sectional image of aerophone

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A Predator's Game is available for pre-order through Amazon.



A Predator's Game, available March 30, 2016, Rook's Page Publishing.

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Nikola Tesla, Arthur Conan Doyle and Dr. Henry H. Holmes are all characters in my forthcoming thriller, A Predator's Game, Rook's Page Publishing, March 30, 2016.

Back page blurb of A Predator's Game (advance copy, subject to change).

Manhattan, 1896.

When the author Arthur Conan Doyle meets Nikola Tesla he finds a tall, thin genius with a photographic memory and a keen eye, and recognizes in the eccentric inventor the embodiment of his creation, Sherlock. Together, they team up to take on an "evil Holmes." Multi-murderer Dr. Henry H. Holmes has escaped execution and is unleashing a reign of terror upon the metropolis. Set in the late nineteenth century in a world of modern marvels, danger and invention, Conan Doyle and Tesla engage the madman in a deadly game of wits.

Martin Hill Ortiz, also writing under the name, Martin Hill, is the author of A Predatory Mind. Its sequel, set in 1890s Manhattan and titled A Predator's Game, will be available from Rook's Page Publishing, March 30, 2016. It features Nikola Tesla as detective.


His recent mystery, Never Kill A Friend, is available from Ransom Note Press. His epic poem, Two Mistakes, won second place in the 2015 Margaret Reid/Tom Howard Poetry Competition. He can be contacted at mdhillortiz@gmail.com.

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